Research Paper Basics – Part 1
Because the title of my blog is surviving English, here is one of my secrets to writing an ‘A’ research paper.
The most important part of writing a research paper in an English class is…the title. That’s right, blasphemous, isn’t it? Now, I know you’re thinking I’m crazy, but once you know just how to create a brilliant title, you’ll see how effective it can be. As long as the content is marginal, a fantastic title can turn that C+ paper into a B-. The secret is what I call “The Form.”
The Form
“The Form” is very simple. It’s a combination of two titles separated by a colon. The first title is what I call the philosophical. This is a statement about your topic that illustrates a deeper understanding of the work or subject you are researching. It is usually vague but poignant. The second title is called the literal. This is an explanation and a reaffirmation of the philosophical.
When the two come together, you’ve got yourself a brilliant title. Novelists do this kind of thing all the time to make their titles more appealing to passers-by, it works well on professors, too!
Example 1:
Alright, you’ve decided that you want to discuss Shakespeare’s The Tempest. You’ve done some research, and you think it would be interesting to talk about how it seems that Prospero thinks that he controls Caliban and Miranda, but in reality, he has no true control. There is a lot of textual and critical evidence to support you, so the content of your paper should come together nicely. Now you need a title. You’re dealing with Prospero’s control…the illusion of control. Ok, that’s a great literal: “Prospero and the Illusion of Control on Shakespeare’s The Tempest.” Good! Now you need your philosophical. Something that illustrates a deeper understanding of the work would be comparing Prospero to someone else with an illusion of control. hmmm…Magicians produce illusions; and Prospero is often cited as a semi-magical character. How can we incorporate that? Ahh! A perfect philosophical for our title: “Smoke and Mirrors” – Now, we put the two together, separated by a colon, and ta-da!:
Smoke and Mirrors: Prospero and the Illusion of Control in Shakespeare’s The Tempest
Not so hard, is it? And tell me you don’t think it’s a great title – come on, you can’t argue with it!
Example 2
This time, we’ve decided to research Beowulf for our Brit Lit class. You notice that women seem to be underrepresented in the masculine world of the Danes, and you’d like to write a gender studies paper on the work. You are comparing Wealtheow to Grendel’s Mom. Both are female characters represented in opposite lights: one good, one bad. You’ve already got your literal: “The role of women in Beowulf” – but since Beowulf can be argued as a text representing the larger Anglo-Saxon society, you can actually lengthen it to: “The Role of Women in Early Anglo-Saxon Society” – see? You sound more intelligent already, and we haven’t even gotten to the philosophical yet! Now…two female characters, both extreme opposites. One is a “peaceweaver,” and the other is a monster. This philosophical can be created with some simple alliteration:
“Passive Peaceweavers and Malevolent Monsters: The Role of Women in Early Anglo-Saxon Society”
Again, not too shabby; and much better than just a literal title, don’t you think?
Additional Examples:
A different take on The Tempest:
“The Magician’s Assistant: Miranda’s Changing Role throughout The Tempest“
A Research Paper on Apple, Inc.
“iWorld: Steve Jobs and Technological Innovation in the Twentieth Century”
A paper on Mad Cow Disease:
“Meat Your Maker: The Deadly Consequences of Ignoring the Mad Cow Disease Pandemic”
Even though I may have given my professors grounds to take points off of my grades, I hope that I’ve helped you survive English…Good luck!
